arrow_back
Back
lock
Getting Started
lock
01 - Course Introduction
lock
02 - Difference Between Color Correction
lock
03 - Lumetri Scopes
lock
04 - Change to Color
lock
05 - Understanding RGB and Luma Waveform
lock
06 - Vectorscope YUV
lock
07 - Details of Vectorscope YUV
lock
08 - Details of Vectorscope YUV Continue
lock
09 - Understanding Histogram
lock
10 - Values of Waveform Luma
lock
11 - Introduction to Lumetri Color Panel
lock
12 - Matching Sequence
lock
13 - Understanding White Balance
lock
14 - Creative Tab
lock
15 - Curves Panel
lock
16 - Hue Vs Sat
lock
17 - Color Correction Part 1
lock
18 - Color Correction Part 2
lock
19 - Color Correction Part 3
lock
20 - Color Grading to Evening Tone
lock
21 - Color Grading to Dark Tone
lock
22 - Working on Uncorrected Footage
lock
23 - Working on Uncorrected Footage Continue
lock
24 - Color Wheel and Match
lock
25 - Hue Vs Luma
lock
26 - Color Grading for Cinematic Look
lock
27 - Color Grading Part 1
lock
28 - Color Grading Part 2
lock
29 - Color Grading Part 3
lock
30 - Creating Orange and Teal
lock
31 - HSL Secondary
lock
32 - Selective Color Manipulation
lock
33 - Working with HSL Secondary
lock
34 - Conclusion
Preview - Adobe Premiere Pro - Color Grading
Discuss (
0
)
navigate_before
Previous
Next
navigate_next